FilesMonster
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Genres: Classic, European, Feature
Video language: English
Almost the first film directed by Didier Philippe-Gerard, which he shot as a parody of "Big Grub" (remember the film about how four men, one, I remember, played by Marcello Mastroiani, decided to snuggle up to suicide?) So here the main characters decided die to disappear.
The film begins with an episode in which one of the heroines, Maud (Trixie Heinen), in a mourning outfit, visits the graves of three girls to talk to them, and polish their little schmunk, at the request and for the joy of these very girls. After which there are plot memories of the time when they were still alive, a classic of the genre. First, the girls after sexual fiasco try to self-cut, but unsuccessfully. The medicine in the country works like clockwork, the girls are saved, pumped out, and are in the hospital. Their elder girlfriend Maud arrives there and holds a passionate speech in front of them: "Girls, my dears, do you want to convince yourself? Yes, zaradiboga. Just let's make a deal, sign a kind of pact that we will do it all together and make it so beautiful that it’s already in heaven blurted out and bumped. " The girls, of course, agree and Maud takes them to his house, in which everything, starting from the entrance door handles, is made in the form of members. Members are many and different, for every taste and color. And the menu in this house contains only eggs and vaginas, and the cherry on the cake is the factotum, he is the handler Arnold, who, as a young man, was struck by lightning during wanks, as a result of which he was speechless, but the member was fixed in the eternal riser (by the way, a small retreat, if a member is plugged into the outlet, will it also stand? Or, well, it’s not worth checking, otherwise you can wait for lightning all your life and not wait)
And now there are four cool young girls in this house, pleasing each other and themselves, using everything at hand, including some kind fellows who have come in somehow, conducting questionnaires. In the end, one of the girls, Alice (Véronique Monet), after a passionate intercourse with these guys decided that everything was time. I went out into the courtyard, where I went into one of the buildings stuffed with dynamite, put one of the charges into my slot and set it on fire. Boom, bah-tararah, and there were three left.
The next one was Penelope (Nadja Mons), who gave slack and wanted to get to America with her former boyfriend and producer, forgetting, and simply covering all pacts and agreements. But the girls decided that it wasn’t possible, this wasn’t like a kid, the first word is more expensive than the second and therefore there can be no such disgrace. And while Penelope, rising to her top, painted and made up, they seemed to accidentally give a juice and unwound the former Penelope dude for hot sex, during which the guy relaxed. But in vain, oh how in vain. The crafty Maud, armed with a huge strap-on, quietly crept up behind him and, while he stuck his dick in Charlene, treacherously drove a knife into his back, this strap-on between the rolls on the hat, opened the dude like a tin can, like a bottle of lager with twist. Penelope, having finished with make-up, went down to her boyfriend and saw what was going on there, just fucked up. Distraught from what she saw, she went wherever she looked, away from this riot of girlish fantasies. Pointing, he is the guiding finger of fate, brought our Penelope to a landfill, where a gang of garbage men kept a lump. These garbage bandits in uniform quickly realized that they weren’t delaying anything for a long time, they immediately painted the poor girl at once for everyone, after which Penelope safely gave her ends, and God’s soul. And there are two left.
The third girl, Charlene (Dawn Cumming), also at some point decided to jump off, but Maud, without further ado, simply gave it to her factotum, Arnold Stoyachy, who stupidly shook the poor girl to disappear. That's all, Mod was left alone. And she came to them at the cemetery, and asks them for permission to join them. And the girls answered her: “Yes, you do not need, Maud, better bring us new ones” And Maud leaves.
And in the finale we are shown the old woman Mod, who comes to the cemetery again, but there’s no strength left to shake, and her hands and shmonka are not the same. And again she sits in her Rolls-Royce, and Arnold Torchok-Stoyachok, who is not aging, is driving, and they leave, and the operator’s incoming camera shows us a cemetery field, which is simply strewn with crosses. Fine
Format: mkv (Matroska)
Duration: 1:14:37
Video: 704x448, AVC (H.264)
File size: 1.1 GB
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